GFF 2010: Dogtooth

 

In Yorgos Lanthimos' Dogtooth, the outside world is a terrifying place; at least, that's the fiction two parents have concocted for their three grown-up children, who have never dared leave the house as a result. For a while, it's hard to know what to make of this absurd set-up, but the absolute conviction of Lanthimos and his amazing cast ensure it is mesmerising viewing nonetheless. The film gradually develops into a brilliant satire that is both hilarious and disturbing – often at the same time – and Lanthimos maintains a flawless control of the film's tone, while capturing the weird onscreen events in a series of stunning compositions. As outside elements are introduced into the home, causing the family's carefully constructed world to unravel, Dogtooth grows increasingly compelling and features a couple of genuinely shocking violent outbursts, before the director caps his film with a perfect final shot. Dogtooth is a unique and remarkable achievement, containing countless moments that will remain lodged in your memory for months afterwards.